Oh dear god— I mean, careless geometry student— Why did you have to choose a pencil so weak Use a stencil so bleak to make me in the first place? Did you not know the compass of morality curving, swerving at full speed would break the tiny graphite stick whose layers fall off like so many on a winter night— I know they're both carbon, still, Why do you conflate diamonds with pencil lead? Now, shining with HB dust, Like a tire-skid, here I am With none the charm of 180 degrees but all the heat of it; A few degrees shy of a full circle. The sign of my existence is an ugly number drenched in sin, cut a secant or veer off on an unrelated tangent, And those numbers are still not pretty— watch how they rocket up the graph to the domains no one bothers travelling. Domain-less like This ugly black gash as if a rip in the paper-thin world I was born in Marking the sudden end of my reach The breaking point of your flimsy pencil Which left me teetering on the edge, precariously close to perfection. Ah, what perfection, the complete circle, The true crown of the two dimensions, The smallest boundary with the biggest space to fill No beginning, no end, no boring middles, Just a revolving, hypnotising, blooming locus. Ah, lotus-like, what beauty, the complete circle Cut through, spin, look anywhere Infinitely symmetrical, Housing such quadrilaterals That supplement their lives' opposing angles; Hidden within its confines, nature's sweet pie of perfection, I crave but a slice— Why couldn't you make this boring arc come full circle? But you do, you come full circle: there you go again, with a brand new pencil dooming another like me forever— But... now you've done it! Most wondrous, a circle! Why, cruel god, must you wave my own incompleteness in the fragmented face of my being? But still, let me look. Why does that I see look so empty? Perfect, elegant, complete... but not full. A yawning void stares out from its heart with a gaze so still not even despair can pierce. A bottomless pit of nothing that does not even hunger for something, look It has closed off into an oblivion it didn't know it did not want. Did I not know what I did not want? The smallest boundary with the biggest space that cannot be filled No beginning, middle or end— is this existence? No wonder it's an ouroboros; They say it's beautiful: circle of life, reincarnation, blah blah blah— But to me, a snake swallowing its own tail has always seemed too much like choking yourself with the deadness of your own life. Final like a funeral wreath, So symmetrical, no supplementing or opposing, So mechanical, like a tragedy, Such hollow perfection: it cannot even embrace another without birthing another deathless void between. And me? I am no lumpy gibbous moon for the full circle is a moonless monday night And I'll keep my highs and lows I'll take your broken pencils I'll take every crooked imperfection But I hope I never come full circle.
Dear A, How are you? I know you're not doing well, and neither can I. You turned twenty two months ago, and it's summer break now— Youth and time: the perfect combination, right? But I know you resent your twentieth birthday with the same seething passion you could never love me with. I know you resent it because after that day, you stabbed your soul so hard that its shriek shook the heart you'd strung up on a torture rack, and your soul hasn't sung since; Not like it used to do, not like it was supposed to do with the vodka-spiked tea of youth running through your veins I can see it's mute; your blank slate empty of creation littered with your torn-up hair instead. To tell you the truth, A, I've been devoid of creation too. I can no longer seem to create pretty things so I've turned into a vulture for them: I scavenge for beauty now, Blacking out words in old newspapers to dig up poetry in that manner you hated Hunting for bits of paper and shiny little things to assemble in my scrapbooking journal in that 'aesthetic instagrammy' manner you so despise And I find that discarded beauty in my broken house so that I'm arms deep in its cracks, fingers fumbling for fulfilment Even so, I am glad; at least I'm not scavenging for sadness like you used to do. Do you still make your 5s like squiggly S's, A? Because you rented room 505 for a lifetime in the hope that someone would read it as SOS, And your yearning is a poor veil for the love you could never afford yourself so you look for others to spare some for you— Perhaps that is why you chose to break yourself so you could kintsugi yourself back in place, Be better, stronger, more beautiful, more artistic but still not something that hunger could be satiated with. The other day I heard you load the gun of adulthood to shoot your dreams in the head And sharpen your paper knife to cut lines in their fat greasy thighs. I know because I found the bullet holes still sizzling the bloodless cuts (you could never cut that deep) still unhealed on the body in your backyard— Now a body, because you could only create on the fumes of despair for so long before the fuel ran out. Didn't I tell you, A, your suffering had no meaning in the first place? You thought you were a sinkable ship but it turns out you're doomed to float forever. Let me help you float undoomed. Because I may not love you now but I want to, by god I want to love you. So let me rip the band-aids off healed wounds and gently peel the bandages off pits of blood to check on their state Because I see you, because I am you, because I perch in your stabbed soul and I may not be the hope Dickinson told of so fondly but I certainly have feathers, although small, I do have the spark that could light your way to get that heart off that black rack— A will-o-the-wisp, if you will— I'll teach you to arrange the pieces you thought you'd lost along the way in that scrapbook manner I like, and it will all make sense.
It was finally here. The call to arms Vasilis had been waiting for since he’d been inducted into the army as a lad of seventeen. And boy, was it beautiful: the usual black-coffee-baritone of the General now closer to a treble in his emergency shouts, the comrades he’d been having his lunch with until about fifteen minutes ago now taking up their positions in the bailey as if gathered by some automatic force yet to be invented, and most of all— the stone curtain. Oh, what a queen, that towering wall devouring all light that fell on it as though it was its only sustenance, that majestic piece of art running all around the citadel that sat within.
Biologically, Elizabeth Alexandra Mary’s death was in no way unusual. One might even say that she’d overstayed her welcome on this planet by living to be 97 years old until the Grim Reaper finally decided to cash in her chips for good.
Politically, though, it caused a huge kerfuffle because of the inconvenient fact that she was the queen of a small but influential island that liked to call itself ‘Great’ Britain.
Inside-out the world turns its being Blank-eyed moon seeing Fragrant shampoo wine weaving air-mesh Melting night flesh Quiet, darkness makes creation reach salvation Listening walls, drumbeat pulsation from Secret portals locked in shadows Opened in slanting streetlight from windows that watch Blank-eyed moon seeing melting night flesh reach salvation.
30th April/ (11/30)/ Ovillejo
God, not another meh poem about the planet Written on days meant to commemorate but never remember— Earth day, Environment day, water day, wildlife day— Days we all pretend like we're concerned For the planet we call home Understanding nods, grave tones of voices proclaiming 'doom' And then, soon as that webinar or talk or fancy event ends, Whoosh go our promises Down the dumpster go the deeds. We complain about the heat while lounging smack dab in the middle of air-conditioned domes— Domes we lull ourselves into Bubbles we close ourselves into— not us, surely? Nothing bad will happen to me, right? Perhaps we simply cannot conceive of a catastrophe unfolding right in front of our eyes. Perhaps it is just the fact that one word, one phrase repeated enough times Loses all meaning. SOS could be urgent. SOS, SOS, SOS, SOS, SOS, SOS, SOS is just droning noise. So we thump our chests and wail 'climate change' In the middle of the planet burning, curling in with snaking hellfire embers as a paper ball does. As a paper ball this four billion-years old entire planet with... Nothing. Imagine nothing. Hard, isn't it? Our minds cannot even imagine nothing Cannot see the paper ball as ashes Cannot conceive of death. Now I see you, thinking, "But I always turn off the lights But I never throw away food But I carpool" It's not an 'I', you see, It's a we. A we who wages wars A we who lets moneyed men with tiny feet make giant carbon footprints A we who wants more, more, more A we who chooses ignorance. I will not claim that the Earth is crying. I will not tell you the universe will weep over this planet's demise, For it will not, And words, however powerful, however beautiful Cannot save you or me Or every single bird, chameleon or tree But perhaps there is still time to wipe away that sleep dust in our eyes and do what we speak For just another meh poem about the planet, perhaps, To try and re-verse this gloomy destiny.
22nd April/ (10/30)/ Happy Earth Day, folks. Don’t forget climate change is still a looming death sceptre over all of us.
Tonight the night does not seem as poetic
Tonight words feel like bile in my throat
The air stings like acid reflux in my nose
Today's one a.m. is not
a 'frenzy of poetish thoughts'
like that week-old note in my phone
yet to be turned into a poem
Tonight I turn on the light instead.
Tonight feels strange,
that strange taste of water melted from ice
oppressive heat despite the air conditioner
brain crouched in a low growl
as if a stomach empty despite dinner.
Tonight there are eyebrows knit, teeth grit
hunched over trusty 'poem notebook'
in the itchy light shadowing scratchy Pierre Cardin strokes
irking insomniac incomprehension
into trying to untangle itself, not helping,
Like a concerned mother interrupting her weirdo kid in the middle of a midnight poem.
Tonight there is scribbled squiggly squeaky-cleaning
of midnight-tinted rose-rimmed glasses—
Look at it, it's just a quiet time of the day,
Nothing inherently artistic
Nothing, in fact, is inherently anything—
Our mere existence warps their realities,
we're people-shaped gravity-toting holes
in the space where air should be
Air, heavy feather, with its ticklish brain sneeze,
Cannot oppress the lifeless, at least, into breathing;
so tonight the night does not breathe.
Though somehow hammers away, black-
smith incessant at the forge of a sleepless head
Confusing about confusion about confusion—
Tonight the night is a dead thing
merely playing at being alive.
19th April/ (9/30)/ Free verse
Battered and beaten up like a sailor’s hat,
this trusty old laptop breaks down time and again
still holding on somehow, in part,
with the wrinkly transparent tape on the corners of its frail frame
Computing power? Oh dear no.
This computer was not made for computing
Your worldly matters of web-dev or coding
It crashes (and burns too, I think)
if you try to overload
its weak CPU and RAM and whatever
with your RGB Courier-sans keystrokes
with its peeling keyboard
are meant only for that typewriter feel
You can read or admire or your thoughts reveal
but it needs that little USB adapter to pick up the wifi
sometimes (a lot of times)
it can’t even do that:
Can’t look at art even, forget creation,
with its ancient graphics driver and humongous memory card
I suggest you get a new one already
don’t trust what the motherboard says: it’s just too scarred.
17th April/ (8/30) /Shitpoem. Literal shitpoem. What, you thought I was gonna make a grand comeback with a beautiful ovillejo about midnight? I wish. I could say it’s in the works, and that would be partly true, except I haven’t refined its skeletal stilted verse a bit to fit the said poetic form I wanted to try out. I expect I could mention I rewrote that Hindi poem I wrote last time to transform it like Neville Longbottom was by puberty, to have something to say in my defence. And yes the featured image is the very laptop I’m typing this on and in whose honour this thing was written.
'बस, कट रही है ज़िन्दगी' दूसरी ओर से जवाब आया। हॅंस कर फिर मैंने भी लिख दिया, 'ज़िन्दगी काट ही रहे हैं, जी नहीं रहे।' जानते नहीं एक-दूसरे को उतने करीब से दोनों फिर भी ईमानदारी की ये ज़रा सी छींट उछल कर, अनजाने ही, कुछ समान, कुछ बिलकुल अलग बँटे दुःख के रंग के निशाँ ज़रा हलके कर जाती है। 'बस, कट रही है ज़िन्दगी' यह साधारण सा वाक्य ज़रिया है लोगों के बीच दिल को ढका रखकर नग्न कर देने का, कहने का, की न तुम अकेले, और आशा करते हैं कि न हम भी; शायद कोई किसी दिन पूछ ही ले कि भाई क्यों कट रही ज़िन्दगी तुम्हारी इस कदर? शायद किसी दिन हम भी बताने की हिम्मत जोड़ पाएं। बस, कट रही है ज़िन्दगी उस पेड़ की भाँति जिसके पास कहीं और जाने को नहीं, जिसकी रगें बारूद की तरह इतनी सूख चुकी हैं की अब काटने पर लहू तक नही बहता; उस पेड़ ने अपना विनाश-लिप्त भाग्य अब चुपचाप गले लगा लिया है। बस, कट रही है ज़िन्दगी हमारे जिस्म की भाँति इन काले-नीले पन्नों के बीच जिनके ज़रिये सुन लेते हैं, कह लेते हैं, मगर कर नहीं पाते जैसे हम पेड़ और वो इंसाँ हो। बस, कट रही है ज़िन्दगी हम सब थके हारे कवियों की जो अपने दुःख-दर्द से कुछ सुन्दर बनाने की कोशिश में हैं, कोशिश में हैं अपनी रचनाओं के ज़रिये ही जी लेने की, उस छुपती-छुपाती ख़ुशी से गुफ़्तगू कर लेने की जिसकी आस में बस, कट रही है ज़िन्दगी।
10th April/ (7/30)/ Seems like I can write in Hindi only in April
One stanza inspired by this PoemsIndia prompt
"You know how when we talk to people, we always need a reason?" I say in a measly attempt to start a conversation. "A proper reason, like work or a need-to-talk You can't just want to, you gotta have some grounds to knock." My classmate cannot relate. "I don't think so, we all talk nonsense all the time right?" A laugh, an agreeable nod, and I go back to minding my own business. My own business. My own business is reminding myself, once again, that I'm the trespasser on this planet and everyone else is inhabitant. Of course he can't relate. I borrowed a pen today because I forgot my own— the same one I'm writing this poem with— and called it social interaction. I'm crying over nothing in the empty auditorium where I can't even see half the words I'm writing not because the light is dim, but because I am. Raising my hand in a Hi is social interaction Exchanging two lines about that presentation due is social interaction Pretending to crave loneliness is social interaction. The cripple of my mind spreads to my throat and I cannot speak. I cannot think and cannot talk without feeling desperate, or unwanted, or needy To you I'm 'reserved' or 'shy' or 'introverted' 'high in emotional intelligence' because I'm satisfied by myself; But not all the time, you see, Every day that I step inside the college gates I wish I could learn how to speak. Not yelling on stage but holding conversations for I hold conversations like they're glass balls balls are what I curl into while taking a nap I do not want to take up so much space here. I'm sorry, slam poet who's my tear trigger, I cannot seem to let myself be the milky way. Won't somebody arrest me? I'm trespassing here trying to drown or pull myself out— I cannot tell— in piece-of-crap verse like myself.
8th April/ (6/30)/ Does this even count?